Pre-Islamic Arabia: The Arabs 🐫

In pre-Islamic Arabia, hospitality was of such importance that a guest at the home of an Arab was guaranteed at least three days of total security and protection before he would even be questioned about why he was there. This tradition was further reinforced by the Prophet, who stated that a guest has the right to be hosted for three days.

The desert was not a place to be alone. With so many threats to the survival of the Arabs, community cooperation was essential. Reliance on relatives was the first line of defense against famine and the heat that constantly threatened survival. Families were expected to share resources and shelter, and the concept of pure individualism was strongly frowned upon. As such, the family (and by extension, the tribe) served as the most important unit within Arab society. Groups of families travelled together and were considered a qabilah, or clan. Several clans would constitute a tribe, led by a tribal leader called a shaikh. Tribal identity and belonging were vital in the pre-Islamic world. Belonging to a tribe brought protection, support and economic opportunities. Tribes would go to battle to defend one of their own, and tribal warfare was unnervingly common before the arrival of Islam. Competition over grazing lands and flocks regularly brought tribes into devastating wars which could last years and extract a heavy human toll on the participants. For the Arabs, struggle was a constant, against both man and nature.

In a tribal, nomadic society like this, artistic expression becomes difficult. The resources and time necessary to complete great sculptures and paintings like the ancient civilizations of Egypt and Greece were almost non-existent. Yet the natural human desire to search for beauty could not be extinguished by the desert sands. Instead it took on a new form: language. Perhaps more than any other language in the world, Arabic itself is a form of artistic expression. Word and sentence structure is fluid, creating many different ways for a person to express the same idea. Poetry thus naturally became the de facto art of Arabia; long, epic poems glorifying tribes and heroism in war were their greatest works of art. The finest poets were revered celebrities in every way. Their words were memorised by the masses and repeated for generations. The seven most magnificent pre-Islamic poems were known as the mu’allaqat, meaning “the hanging ones”. They were so called because they were hung on the walls of the Ka’ba in Mecca, or alternatively because they were hung in the hearts of all Arabs due to their reverence for the poetic medium.

Despite being an advanced literary society, writing was rare in the Arabian Peninsula. While a written form of the language did exist by the 500s, it was rarely learned. Memorisation was enough for the Arabs, who were capable of learning poems that were thousands of lines long by heart so they could repeat them to future generations. Memorisation would prove to be a vital skill once Islam arrived in the peninsula in the 600s.